Saturday, May 17, 2025

The Top Movie Songs of the Rock Era, Part Seventeen (#40-31)

Theaters are no longer packed; that happened in America's better days.  The movies were better, the songs were better, Republicans didn't hate their fellow man, everything was better.  While we mourn the jailing of innocent Americans, we hear these songs and remember America in its heyday.


   

#40--"Can't Help Falling In Love" by Elvis Presley (from the movie Blue Hawai'i--1961)

We heard UB40 back at #68 with their cover version of this song.  It's next to impossible to beat a classic, though the men in UB40 are close to the best ones in the Rock Era to pull it off.

Hugo Peretti, Luigi Creatore and George David Weiss wrote this classic for Elvis Presley for the 1961 movie Blue Hawai'i.  The melody is based on "Plaisir d'amour", a French love song that Jean-Paul-Égide Martini wrote in 1784.  Boots Randolph played sax while Hal Blaine played drums on the track.

Presley, as "Chad" Gates, has just been released from the Army and is excited to return to Hawai'i and be with his girlfriend Maile Duval (played by Joan Blackman).  His mother, Sarah Lee (Angela Lansbury), hopes Chad will take over management of his father's business, the Great Southern Hawai'ian Fruit Company but Chad instead becomes a tour guide on the island at a travel agency where Duval works.  

The first clients to hire Chad are a beautiful school teacher, Abigail Prentice (played by Nancy Walters), and four of her female students.  And as you can probably guess, that spells "t-r-o-u-b-l-e" from the get-go.  

In a diversified career of 80 years, Lansbury excelled on stage, television and the big screen.  She and her family moved from London to New York City in 1940 to escape the bombing Blitz of World War II.  She relocated to Hollywood in 1942 and signed with Metro-Goldwyn-Mayer (MGM).  

Lansbury was nominated for Best Supporting Actress at the Academy Awards for Gaslight, The Picture of Dorian Gray (which earned Angela a Golden Globe Award) and The Manchurian Candidate and also appeared in National Velvet, when she struck up what would prove to be a lifelong friendship with fellow Velvet co-star Elizabeth Taylor.  Her other top early films are The Harvey Girls, Till the Clouds Roll By, The Three Musketeers, State of the UnionThe Red Danube, Samson and Delilah and Mutiny

Angela then focused on Broadway and was awarded with Best Actress in a Musical honors at the Tony Awards for Mame, Dear World, Gypsy and Sweeney Todd. Later in her career, she received a Tony for Best Featured Actress in a Play for Blithe Spirit in 2009.  Lansbury was also nominated at the Tonys for Deuce in 2007 and A Little Night Music in 2010.  She received the Lifetime Achievement Tony Award in 2022.

Many people remember Lansbury as the insightful amateur sleuth and writer Jessica Fletcher on the popular series Murder, She Wrote, which aired for 12 years.  Angela was nominated all 12 years for Outstanding Lead Actress in a Drama Series at the Primetime Emmy Awards.

Lansbury also appeared in the movies Death on the Nile, Bedknobs and Broomsticks, Beauty and the Beast and Anastasia, among others.

Lansbury won six Golden Globe Awards, three Academy Awards, five Tony Awards and18 Primetime Emmy Awards.  She received Kennedy Center Honors in 2000 and the Academy Honorary Award in 2013.

"Can't Help Falling In Love" held on to the #1 position in the U.K. for four weeks and #2 on the Popular chart and #1 on the Easy Listening chart for six weeks in the United States, #2 in New Zealand and Sweden, #3 in Australia and #4 in Canada.  It has sold over one million copies.  It was the last song Presley performed live at a concert at Market Square Arena in Indianapolis, Indiana on June 26, 1977.

Blue Hawai'i was one of Elvis's better soundtracks, dominating the Album chart for 20 weeks and remaining a bestseller for 39 weeks and selling over three million copies in the U.S. alone.  It was huge on the other side of the Atlantic as well, topping the U.K. Album chart for 18 weeks.  The album was nominated for Best Soundtrack Album or Recording of Original Cast from a Motion Picture or Television at the Grammy Awards.

The movie finished as the 10th top-grossing film of 1961 with box office receipts totaling $4.2 million.


Wise men sayOnly fools rush inBut I can't help falling in love with youShall I stay?Would it be a sinIf I can't help falling in love with you?
… Like a river flowsSurely to the seaDarling, so it goesSome things are meant to be
… Take my handTake my whole life, tooFor I can't help falling in love with you
… Like a river flowsSurely to the seaDarling, so it goesSome things are meant to be

… Take my handTake my whole life, tooFor I can't help falling in love with youFor I can't help falling in love with you



   

#39--"And I Love Her" by the Beatles (from the movie A Hard Day's Night--1964)


John Lennon and Paul McCartney wrote Song #39*, performed by the Beatles in their 1964 movie A Hard Day's Night.  The movie follows the group in a 36-hour period in which they prepare for a performance on television.  

Wilfrid Brambell is John McCartney, Paul's grandfather with Norman Rossington, John Junkin, Victor Spinetti as the rest of the supporting cast, and Pattie Boyd (George Harrison's wife) and Charlotte Rampling (a nightclub dancer who later starred in the classic movie The Verdict) also appear in the film.

Brambell appeared in two dozen films (including The Three Lives of Thomasina), but is best known in the U.K. for his role in the television sitcom Steptoe and Son, which aired from 1962-1965 and 1970-1974.

"And I Love Her" stopped at #12, with the folks who compile the music charts unaware the song was one of the most requested at the time and the album was #1 in the United States, the U.K., Germany, Australia and Finland and sold over four million copies.

A Hard Day's Night grossed $14 million and was nominated for Best Original Score Written for Best Music Score and Best Screenplay at the Academy Awards and Best Motion Picture or Television Show at the Grammy Awards.

.

I give her all my loveThat's all I doAnd if you saw my loveYou'd love her tooI love her
She gives my everythingAnd tenderlyThe kiss my lover bringsShe brings to meAnd I love her
A love like oursCould never dieAs long as IHave you near me
Bright are the stars that shineDark is the skyI know this love of mineWill never dieAnd I love her, mm

Bright are the stars that shineDark is the skyI know this love of mineWill never dieAnd I love her

 




   

#38--"When Doves Cry" by Prince (from the movie Purple Rain--1984)

Here is the top-ranked song of four in the special from this film.  Superstar Prince wrote and performed it for his 1984 movie Purple Rain, in which he stars in as The Kid.  The Kid has an unhappy childhood but escapes his life rehearsing and performing at the First Avenue nightclub.  

As leader of The Revolution, The Kid and the group are one of three house bands at the club and all would be fine but Morris Day, leader of the Time, thinks three groups are at least one too many.  

"When Doves Cry" was a monumental hit, securing the #1 spot in the U.S. for five weeks, also reaching #1 in Canada and Australia, #2 in Ireland and New Zealand, #4 in the U.K. and Finland, #5 in the Netherlands and #10 in Norway.  It has sold over two million copies in the U.S. and was nominated for Best Original Song at the Golden Globes.

The soundtrack dominated the Album chart for 24 weeks in the United States and was a Top 10 album nearly everywhere in the world.  The "Purple Rain" Soundtrack boasts U.S. sales of 13 million and 25 million worldwide and took home a Grammy for Best Album of Original Score Written for a Motion Picture or Television Special.

Purple Rain earned a gross of $70 million.  The movie won an Oscar for Best Original Song Score and an American Music Award for Top Soundtrack.


Dig if you will the pictureOf you and I engaged in a kissThe sweat of your body covers meCan you my darlingCan you picture this?
Dream, if you can, a courtyardAn ocean of violets in bloomAnimals strike curious posesThey feel the heatThe heat between me and you
How can you just leave me standingAlone in a world that's so cold? (So cold)Maybe I'm just too demandingMaybe I'm just like my father, too boldMaybe you're just like my motherShe's never satisfied (she's never satisfied)Why do we scream at each other?This is what it sounds likeWhen doves cry
Touch if you will my stomachFeel how it trembles insideYou've got the butterflies all tied upDon't make me chase youEven doves have pride
How could you just leave me standingAlone in a world so cold? (World so cold)Maybe I'm just too demandingMaybe I'm just like my father, too boldMaybe you're just like my motherShe's never satisfied (she's never satisfied)Why do we scream at each other?This is what it sounds likeWhen doves cry
How can you just leave me standingAlone in a world that's so cold? (A world that's so cold)Maybe I'm just too demanding (maybe, maybe I'm like my father)Maybe I'm just like my father too bold (you know he's too bold)Maybe you're just like my mother (maybe you're just like my mother)She's never satisfied (she's never, never satisfied)Why do we scream at each other? (Why do we scream, why)This is what it sounds likeWhen doves cryWhen doves cry (doves cry, doves cry)When doves cry (doves cry, doves cry)
Don't cry (don't cry)


   

#37--"Gangsta's Paradise" by Coolio (from the movie Dangerous Minds--1995)

Our next classic is a remake of Stevie Wonder's song "Pastime Paradise" from Wonder's landmark Songs in the Key of Life album.  Artis Ivey, Jr., using the stage name Coolio, adapted Stevie's lyrics in 1995 along with Larry Sanders and Doug Rasheed for the solid movie Dangerous Minds.  

Michelle Pfeiffer is LouAnne Johnson, a veteran of the U.S. Navy and Marine Corps, who gets a teaching job immediately after applying.  She should have known.  On her first day on the job, LouAnne finds that her students are all from low-income households--many are in gangs and selling drugs.  She is disrespected from the outset, but she soon dons a leather jacket and comes up with alternative teaching methods that will reach her students.  But the school's administrators aren't happy with those teaching methods.  Isn't that the way?

Pfeiffer is joined by George Dzundza (as fellow teacher Hal Griffith), Courtney B. Vance, Robin Bartlett, Renoly Santiago (as Raul Sanchero, a student whom Johnson is particularly fond of) and Wade Dominguez.

"Gangsta's Paradise" was not only #1 in the U.S. but the top-selling single of the year and another of The Top 500 Songs of the Rock Era*, as all are from here out.  It was a Top 10 smash in every country except Canada and Spain, reaching the top spot in the U.K., Germany, France, Australia,  Ireland, New Zealand, Norway, the Netherlands, Scotland, Sweden, Austria and Switzerland.  It has sold three million in the U.S. and eight million worldwide.  Coolio won Favorite Rap/Hip-Hop Artist at the American Music Awards and was nominated for Best Rap Solo Performance and Best Rap Album.

Dangerous Minds brought in $179 million.  Pfeiffer won Favorite Actress - Drama at the Blockbuster Entertainment Awards while the soundtrack was nominated for Top Soundtrack at the American Music Awards.



As I walk through the valley of the shadow of deathI take a look at my life and realize there's nothin' left'Cause I've been blastin' and laughin' so long thatEven my momma thinks that my mind is gone
But I ain't never crossed a man that didn't deserve itMe be treated like a punk, you know that's unheard ofYou better watch how you talkin' and where you walkin'Or you and your homies might be lined in chalk
I really hate to trip, but I gotta locAs they croak, I see myself in the pistol smokeFool, I'm the kinda G the little homies wanna be likeOn my knees in the night, sayin' prayers in the streetlight
Been spendin' most their livesLivin' in a gangsta's paradiseBeen spendin' most their livesLivin' in a gangsta's paradiseKeep spendin' most our livesLivin' in a gangsta's paradiseKeep spendin' most our livesLivin' in a gangsta's paradise
Look at the situation they got me facingI can't live a normal life, I was raised by the streetSo I gotta be down with the hood teamToo much television watchin', got me chasing dreams
I'm a educated fool with money on my mindGot my ten in my hand and a gleam in my eyeI'm a loc'd out gangsta, set trippin' bangerAnd my homies is down, so don't arouse my anger
Fool, death ain't nothin' but a heart beat awayI'm livin' life do or die, what can I say?I'm 23 now but will I live to see 24?The way things is going I don't know
Tell me why are we so blind to seeThat the ones we hurt are you and me?
Been spendin' most their livesLivin' in a gangsta's paradiseBeen spendin' most their livesLivin' in a gangsta's paradiseKeep spendin' most our livesLivin' in a gangsta's paradiseKeep spendin' most our livesLivin' in a gangsta's paradise
Power and the money, money and the powerMinute after minute, hour after hourEverybody's runnin', but half of them ain't lookin'It's going on in the kitchen, but I don't know what's cookin'
They say I gotta learn, but nobody's here to teach meIf they can't understand it, how can they reach me?I guess they can't, I guess they won'tI guess they front, that's why I know my life is out of luck, fool
Been spendin' most their livesLivin' in a gangsta's paradiseBeen spendin' most their livesLivin' in a gangsta's paradiseKeep spendin' most our livesLivin' in a gangsta's paradiseKeep spendin' most our livesLivin' in a gangsta's paradise
Tell me why are we so blind to seeThat the ones we hurt are you and me?Tell me why are we so blind to seeThat the ones we hurt are you and me?


   

#36--"The Rose" by Bette Midler (from the movie The Rose--1980)


Bette Midler turned this song written by Amanda McBroom into a smash hit in 1980 from the movie The Rose.  The film is based on Janis Joplin's life, and Midler was fantastic in the leading role.  Like Joplin, Mary Rose Foster in the movie becomes a famous rock & roll singer.  But she has insecurity issues and abuses both alcohol and drugs.  Alan Bates plays Foster's manager and promoter.

Midler starred in both Fiddler on the Roof and Salvation on Broadway in the 1960's.  As a recording artist, Midler has hit with "The Rose", "Wind Beneath My Wings", "From A Distance", "Do You Want To Dance" and "Boogie Woogie Bugle Boy". 

The Rose was Midler's film debut, which led to roles in Down and Out in Beverly Hills, Ruthless People, Outrageous Fortune, Beaches, The First Wives Club, The Stepford Wives, Parental Guidance and The Addams Family and its sequel. 

Bette has won four Golden Globes, three Grammys, three Primetime Emmys and two Tony Awards in her career.  She ranked #62 in Inside The Rock Era's 2014 presentation of The Top 100 Female Artists of the Rock Era*.  

Midler won a Grammy for Best Female Pop Vocal Performance for "The Rose", which peaked at #1 on the U.S. Adult Contemporary chart and #3 overall, #2 in Canada and #6 in Australia and has sold over one million copies.

The soundtrack album has sold over two million in the U.S. alone.

The Rose grossed $29 million at the box office and Midler took home Best Actress in a Motion Picture -Comedy or Musical and New Star of the Year in a Motion Picture - Female while the movie was also nominated for Best Motion Picture - Comedy or Musical and Best Supporting Actor for Frederic Forrest at the Golden Globe Awards.  The movie was nominated for Best Actress (Midler), Best Supporting Actor (Frederic Forrest), Best Sound and Best Film Editing at the Academy Awards.



Some say love, it is a river
And that it drowns the tender reed
And some say love, it's like a razor
And that it leaves your soul to bleed.


Some say love, it is a hunger
An endless aching need
I say love, it is a flower
And you, it's only seed.


It's the heart afraid of breaking
That never learns to dance
It's a dream afraid of waking
That never takes the chance
It's the one who won't be taken
Who can not seem to give
And the soul afraid of dying
That never learns to live.


When the night has been too lonely
And the road has been too long
And you think that love is only
For the lucky and the strong

Just remember
In the winter
Far beneath the bitter snows...

Lies the seed that with the sun's love
In the spring...
Becomes the rose.


 

#35--"Footloose" by Kenny Loggins (from the movie Footloose--1984)

Santa Barbara, California's Kenny Loggins co-wrote Song #35* with Dean Pitchford for the 1984 blockbuster Footloose.  Veteran session musicians Michael Boddicker (synth bass and percussion) and Paulinho da Costa (percussion) play on the track.

Footloose is the story of Ren McCormack (Kevin Bacon), who moves to a small town in Utah with his mother.  Initially, Ren isn't accepted well, but he makes friends with Willard, played by Chris Penn.  The kids at the high school want to have a prom even though dancing is not allowed in the town.  Reverend Shaw Moore (played superbly by John Lithgow) is protective of his town and his congregation, but can see that times are changing.  It is even worse that his daughter Ariel (Lori Singer) is something of a hellion.  Dianne Wiest stars as Shaw's wife Vi while Sarah Jessica Parker plays Rusty.  Footloose features some of the best music as well as some of the best dancing ever in a movie.

Parker debuted on Broadway at the age of 11 in the remake of The Innocents, and then starred in the Broadway musical Annie in 1979.  She is most famous for her role in Sex and the City from 1998-2004, which earned her four Golden Globe Awards for Best Actress in a Comedy Series and two Primetime Emmys.  

Parker has won a total of six Golden Globes and the two Primetime Emmys.

"Footloose" racked up three weeks at #1 in the United States and hit #3 in Australia and New Zealand, #4 in West Germany and Switzerland, #5 in Canada and #6 in the U.K. and was nominated for Best Original Song at the Golden Globe Awards and the Academy Awards. The single has sold over one million units in the U.S. and over three million worldwide.

In 2018, the United States Library of Congress selected the song to preserve in the National Recording Registry for being "culturally, historically, or aesthetically significant."

The soundtrack contains three Top 10 hits (all of which are in The Top 200*) and six total hits.  It held on to #1 on the Album chart for 10 weeks in the United States and also reached the top in Canada, New Zealand, Switzerland, Austria and Japan.  The "Footloose" Soundtrack has gone over the 11-million mark in sales and was nominated for Best Album of Original Score Written for a Motion Picture or Television Special at the Grammy Awards.

The movie hauled in a gross of $80 million.





Been working so hardI'm punching my cardEight hours, for what?Oh, tell me what I gotI've got this feelingThat time's just holding me downI'll hit the ceilingOr else I'll tear up this town
So now I gotta cut looseFootlooseKick off the Sunday shoesPlease, LouisePull me off of my kneesJack, get backCome on before we crackLose your bluesEverybody cut footloose
You're playing so coolObeying every ruleDeep way down in your heartYou're burning, yearning for someSomebody to tell youThat life ain't passing you byI'm trying to tell youIt will if you don't even tryYou'll get by if you'd only
Cut looseFootlooseKick off the Sunday shoesOoh-wee, MarieShake it, shake it for meWhoa, MiloCome on, come on, let's goLose your bluesEverybody cut footloose
Yeah, ooh-oh-oh(Cut footloose)Yeah, ooh-oh-oh(Cut footloose)Yeah, ooh-oh-oh(Cut footloose)Ooh
you've got to turn me around(Second) and put your feet on the ground(Third) gotta take the hold of all(Four) I'm turning it loose
FootlooseKick off the Sunday shoesPlease, LouisePull me off of my kneesJack, get backCome on before we crackLose your bluesEverybody cut footloose(Footloose)
Footloose(Footloose)Kick off the Sunday shoes (c'mon, girl)Please, LouisePull me off of my kneesJack, get backCome on before we crackLose your blues

Everybody cut, everybody cutEverybody cut, everybody cutEverybody cut, everybody cut(Everybody)Everybody cut footloose!



   

#34--"Gonna' Fly Now" by Bill Conti (from the movie Rocky--1977)

Here's another song that, while popular, is elevated because of its impact in the movie and its recognizability worldwide.  Bill Conti wrote it with Carol Connors and Ayn Robbins for the 1977 blockbuster movie Rocky.  The iconic song plays as boxer Rocky Balboa (played by Sylvester Stallone) goes through his daily training regimen, leading to a run up the 72 steps of the Philadelphia Museum of Art in Philadelphia, and raises his arms high above his head as he gets to the top.

Balboa is a struggling boxer who really doesn't have a lot of goals for himself and seems to accept the status quo.  Out of the blue, Apollo Creed, the heavyweight champion of the world played by Carl Weathers, offers Balboa a shot at the title as a publicity stunt to be held in Philadelphia.  But Balboa doesn't take it that way and trains hard, both in the conventional sense as aided by trainer Mickey Goldmill, played by Burgess Meredith, and in many unconventional ways that includes punching livestock meat.  Rocky takes an interest in Adrian Pennino (Talia Shire), a terribly shy pet shop owner with an abusive brother named Paulie (Burt Young), who is Rocky's best friend.

Like the character he plays, Stallone too was down on his luck and came up with the script to save his career.  He refused to allow the film to be made without him in the lead role and finally, United Artists agreed.

Meredith starred in several films that earned him a reputation as a solid actor such as Winterset in 1936, Of Mice and Men and The Story of G.I. Joe.  Burgess starred in several of the most famous episodes of the landmark Twilight Zone television series, including "Time Enough at Last", "Obsolete Man" and "Printer's Devil".  He played The Penguin in the 1960's television series Batman.  Meredith also starred in The Day of the Locust (which earned him Golden Globe and Academy Award nominations for Best Supporting Actor, the great comedy Foul Play and Clash of the Titans.

Meredith also appeared in the television shows Bonanza, Wagon Train, Daniel Boone, The Virginian and The Wild Wild West.

"Gonna' Fly Now" took the #1 position in the U.S. and #8 in Canada.  Though Maynard Ferguson's version is better, this is the one from the movie and was nominated for Best Original Song at the Academy Awards.

The soundtrack was nominated for Best Album of Original Score Written for a Motion Picture or Television Special at the Grammy Awards.

Rocky grossed an impressive $225 million in 1977, the equivalent of $1.187 billion today.  It was thoroughly honored at awards shows, including a Golden Globe win for Best Motion Picture - Drama and nominations for Best Director, Best Actor for Stallone, Best Actress for Shire, Best Screenplay and Best Original Score and Oscar wins for Best Picture, Best Director and Best Film Editing among 10 nominations that included Best Actor for Stallone, Best Actress for Shire, Best Supporting Actor for both Meredith and Young, Best Screenplay and Best Sound.


   

#33--"Against All Odds" by Phil Collins (from the movie Against All Odds--1984)

Phil Collins wrote and performed one of The Top Songs of 1984* for the movie Against All Odds. Director Taylor Hackford (who also directed one of the best movies in history, An Officer and a Gentleman) made a special point of flying to Chicago to meet with Collins, who watched the movie on VCR in his hotel room and agreed to record a song for the soundtrack. 

Terry Brogan (Jeff Bridges) is a injured professional football player who is released by the Outlaws.  He is old as football players go and is in need of money.  An old acquaintance, nightclub owner Jake Wise (James Woods), approaches Terry with an offer to pay him if he can find Jake's girlfriend, Jessie Wyler (played by Rachel Ward).  Wyler is also the daughter of Mrs. Wyler (Jane Greer), owner of the Outlaws.  Mrs. Wyler owns the team, but her husband Ben Caxton, (Richard Widmark) runs the team as well as getting things done for Mrs. Wyler's real estate ambitions.

Brogan doesn't want to take the job as he really doesn't want to have anything to do with Wise, but realizes that Jake can expose him for a previous point-shaving event with the Outlaws.  After much effort, Jake finds Jessie in Mexico and immediately falls for her, putting his job on the back burner.  Jessie at first has no interest but eventually reciprocates the feeling.  Along the way, they run into Outlaws' trainer Hank Sully, played by Alex Karras, Karras being a star Pro Bowl defensive tackle himself with the Detroit Lions of the National Football League.

Of course, Jake didn't get to be his evil self without finding out everything, and he finds out about Terry and Jessie.  To Terry's shock, Jessie goes back to Jake.  Wise makes it clear to Brogan that he knows about Terry and Jessie, but offers a chance to "square the deal"--Brogan is to break into the office of Outlaws lawyer Steve Kirsch (played by Saul Rubinek), who has the goods on not only Wise but Brogan as well.

Brogan does this as well, with the help of Kirsch's secretary, Edie (played by Swoosie Kurtz).  But Brogan is set up, and he must find a way to get out of his latest mess, which sets up a dramatic confrontation in the middle of nowhere between Brogan, Wise, Caxton, Jessie and Jake's associate in both his nightclub and shady deals, Tommy (played by Dorian Harewood).    

The song plays at the finale of the movie in which Terry is looking at Jessie at a function celebrating the sale of public land to millionaires.  The viewer must ponder what the look means and interpret what Jessie's responsive look means.  "Against All Odds" is one of the best examples of a movie song truly fitting what appears on the screen while it is playing.

Widmark made a strong debut in the 1947 movie Kiss of Death, in which he won a Golden Globe for New Star of the Year - Actor and was nominated for Best Supporting Actor at the Academy Awards.  He also starred in The Street with No Name, Road House, No Way Out, Panic in the Streets, The Frogmen, Halls of Montezuma, Hell and High Water, The Alamo, The Bedford Incident, Murder on the Orient Express and the thriller Rollercoaster.  He was nominated for an Emmy for the television movie Vanished!

Rubinek, who was born in a German refugee camp, also appeared in the movies Wall Street and Nixon, among others, and is known for his television roles on Frasier, Warehouse 13 and The Last Tycoon.

"Against All Odds" was a smash hit around the world, reaching #1 in Canada, Ireland, Israel, Norway and Portugal, #2 in Denmark, #3 in Australia, New Zealand and Sweden, #4 in Switzerland and Belgium, #5 in Finland and #10 in the Netherlands.  It has sold over one million singles in the U.S. and is nearing two million worldwide and was nominated for Best Original Song at both the Golden Globes and Oscars.

The soundtrack is good besides just Collins' featured song and peaked at #12 and was nominated for Best Album of Original Score Written for a Motion Picture or Television Special at the Golden Globe Awards.

Against All Odds grossed $21 million and is one of the most underrated movies of all-time, as you might be able to tell from the plot described above.


How can I just let you walk away?Just let you leave without a trace?When I stand here taking every breath, with you, oohYou're the only one who really knew me at all
How can you just walk away from meWhen all I can do is watch you leave?'Cause we've shared the laughter and the pain and even shared the tearsYou're the only one who really knew me at all
So take a look at me nowOh, there's just an empty spaceAnd there's nothing left here to remind meJust the memory of your face
Ooh, take a look at me nowWell, there's just an empty spaceAnd you coming back to me is against the oddsAnd that's what I've got to face
I wish, I could just make you turn aroundTurn around and see me cryThere's so much I need to say to you, so many reasons whyYou're the only one who really knew me at all
So take a look at me nowWell, there's just an empty spaceAnd there's nothin' left here to remind meJust the memory of your face
Now take a look at me now'Cause there's just an empty spaceBut to wait for you, is all I can doAnd that's what I've gotta face
Take a good look at me now'Cause I'll still be standing hereAnd you coming back to me is against all oddsIt's the chance I've gotta take
Take a look at me now


   

#32--"Wind Beneath My Wings" by Bette Midler (from the movie Beaches--1988)


Though this song was written in 1982 by Jeff Silbar and Larry Henley, it didn't become popular until 1988, when Bette Midler recorded it for the movie Beaches Beaches stars Midler, Barbara Hershey, Mayim Bialik and John Heard.

While performing a concert rehearsal in Los Angeles, singer Cecilia "C.C." Bloom (played by Midler) gets a note from a dear friend named Hilary Whitney (Hershey)and rushes off to be with her.  The two have been friends since 1958 when they met under the boardwalk in Atlantic City, New Jersey.  They went through numerous events, setbacks and challenges to their friendship but endured.  

Hilary requires a heart transplant and being that she has a rare tissue type, she likely will die before a heart is found for her.  C.C. goes with Hilary and her daughter Victoria to a beach house for the summer.  Hilary and Victoria go back to San Francisco after the trip and C.C. to Los Angeles for the concert but when Hilary collapses, Victoria sends word to C.C. via the note described above.    

One of Heard's best roles was the sleeper Deceived in 1991 and another was The Pelican Brief in 1993.  He also starred in Home Alone, Home Alone 2, Big and Awakenings.

Hershey won a Golden Globe and an Emmy for A Killing in a Small Town and was nominated for Best Supporting Actress for The Last Temptation of Christ and The Portrait of a Lady.  Barbara also starred in Hannah and Her Sisters, With Six You Get Eggroll, The Right Stuff, The Natural, Hoosiers and Black Swan.

"Wind Beneath My Wings" reached #1 in the United States and Australia, #4 in New Zealand and #5 in the United Kingdom, sold over two million copies and took home Grammy Awards for both Record of the Year and Song of the Year.

The album hit #1 in Australia, #2 in the U.S. and New Zealand and #7 in Canada and has sold over three million copies to date.

Beaches grossed $57 million and received an Oscar nomination for Best Set Direction.



It must have been cold there in my shadowTo never have sunlight on your faceYou were content to let me shine, that's your wayYou always walked a step behind
So I was the one with all the gloryWhile you were the one with all the strengthA beautiful face without a name for so longA beautiful smile to hide the pain
Did you ever know that you're my hero?And everything I would like to beI can fly higher than an eagleFor you are the wind beneath my wings
It might have appeared to go unnoticedBut I've got it all here in my heartI want you to know, I know the truth, of course I know itI would be nothing without you
Did you ever know that you're my hero?You're everything I wish I could beI could fly higher than an eagleFor you are the wind beneath my wings
Did I ever tell you, you're my hero?You're everything, everything I wish I could beOh, and I, I could fly higher than an eagleFor you are the wind beneath my wings'Cause you are the wind beneath my wings
Oh, the wind beneath my wingsYou, you, you, you are the wind beneath my wingsFly, fly, fly away, you let me fly so highOh, you, you, you, the wind beneath my wingsOh, you, you, you, the wind beneath my wings
Fly, fly, so high against the skySo high I almost touch the skyThank you, thank youThank God for you, the wind beneath my wings


   

#31--"Call Me" by Blondie (from the movie American Gigolo--1980)

Debbie Harry, lead singer of Blondie, wrote this song with ace producer Giorgio Moroder in 1980 for the film American Gigolo.  Harold Faltermeyer arranged the song and played keyboards.

Richard Gere is a high-priced male escort in Los Angeles who has an affair with the wife (Lauren Hutton) of a well-known politician .  Meanwhile, Gere is tagged as the main suspect in a murder case.  

Gere appeared in Looking for Mr. Goodbar but this was the film that launched his career.  He should have won Best Actor for his superb performance in An Officer and a Gentleman.  Richard won a Golden Globe Award for Chicago and has also starred in Pretty Woman, the thriller Primal Fear, the great movie Final Analysis, Runaway Bride, Red Corner, The Cotton Club, No Mercy, The Double and First Knight.

Lead singer Deborah Harry and Chris Stein were with a group called the Stilettoes in 1973 and 74, and later reformed as Blondie.  They were soon regular performers at CBGB in New York City and beginning with the 1978 album Parallel Lines, attracted a national following.  Blondie also hit with "Heart Of Glass", "The Tide Is High", "Rapture", "One Way Or Another", "Dreaming" and "Atomic".

"Call Me" dominated the U.S. chart to the tune of six straight weeks at #1, and also hit the top in the U.K. and Canada, #2 in Norway, #3 in Finland, Sweden and Switzerland, #4 in Australia and #6 in New Zealand.  It was the #1 song of the year and sold over one million copies.  The song received a nomination for Best Original Song at the Golden Globe Awards and a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal.

The soundtrack to the movie peaked at #7 in the U.S. and sold over 500,000 copies.

American Gigolo brought in a gross of $52 million and was nominated for Best Original Score at the Golden Globes.


Color me your color, babyColor me your carColor me your color, darlingI know who you areCome up off your color chartI know where you're coming from
Call me (call me) on the lineCall me, call me any, anytimeCall me (call me) I'll arriveYou can call me any day or nightCall me
Cover me with kisses, babyCover me with loveRoll me in designer sheetsI'll never get enoughEmotions come, I don't know whyCover up love's alibi
Call me (call me) on the lineCall me, call me any, anytimeCall me (call me) I'll arriveWhen you're ready, we can share the wineCall me
Ooh-ooh-ooh-ooh-oohHe speaks the languages of loveOoh-ooh-ooh-ooh-oohAmore, chiamami, chiamamiOoh-ooh-ooh-ooh-oohAppelle-moi mon cheri, appelle-moiAnytime, anyplace, anywhere, any wayAnytime, anyplace, anywhere, any day
Call me (call me) my loveCall me, call me any, anytimeCall me (call me) for a rideCall me, call me for some overtimeCall me (call me) in my lifeCall me, call me in a sweet designCall me (call me), call me for your lover's, lover's alibiCall me (call me) on the lineCall me, call me any, anytimeCall me (call me)
Ah, call me, mm-mm-ahCall me (call me), my loveCall me, call me any


Blondie takes us to the cutoff for today's segment.  We've only got 30 more cinema songs so be sure you're back before the curtain falls!



Friday, May 16, 2025

The Top Movie Songs of the Rock Eras, Part Sixteen (#50-41)

We're up to the all-time Top 50!  The remainder of the songs are all classics, so sit back in your comfortable seat and enjoy!


 

#50--"Everybody's Talkin'" by Nilsson (from the movie Midnight Cowboy--1968)

Fred Neil wrote this classic, one of four in the special from 1968, which Nilsson covered a year later and included it in the movie Midnight Cowboy.

Dustin Hoffman and Jon Voight star in Midnight Cowboy as male prostitute Joe Buck (Voight) and con man Rico Rizzo (Hoffman), with support from Sylvia Miles, Brenda Vaccarro, and Bob Balaban.

Brooklyn-born Brenda Vaccarro graduated from high school in Texas and returned home to study acting at the Neighborhood Playhouse School of the Theatre in New York City.  She appeared in several plays on Broadway, including Cactus Flower (for which she was nominated for Best Featured Actress in a Play), How Now, Dow Jones (nominated for Best Actress in a Musical), The Goodbye People (nominated for Best Actress in a Play), the female version of The Odd Couple in 1985 and Jake's Women.

Brenda also won a Golden Globe Award for Best Supporting Actress and was nominated for an Oscar for the 1975 movie Once Is Not Enough.  She also starred in Airport '77, the fantastic thriller Capricorn One, Supergirl, The Mirror Has Two Faces, Heart of MidnightZorro and the great movie Nonnas.

Vacarro earned three Golden Globe nominations (with one win), an Academy Award nomination, four primetime Emmy nominations and three Tony nominations.

Hoffman is one of his generation's greatest.  He at first studied at the Conservatory of Music in Los Angeles before deciding to pursue acting at the Pasadena Playhouse.  He won Best Actor for both Kramer vs. Kramer in 1979 and Rain Man in 1988.  Hoffman was nominated in that category five other times:  for The Graduate in 1967, Midnight Cowboy in 1969, Lenny in 1974, Tootsie in 1982 and Wag the Dog in 1997.

Dustin has also enriched our lives with his great performances in Little Big Man, Papillon, Marathon Man, All The President's Men, Dick Tracy, Hook, Outbreak, Sleepers, Moonight Mile, Runaway JuryMeet the Fockers and Little Fockers.  Another of his greatest roles was the remake of Death of a Salesman, for which he reprised his role one year later for a television movie, taking home the Primetime Emmy Award for Outstanding Actor in a Limited Series or Movie.  Hoffman received the Tony Award for Best Actor in a Play for The Merchant of Venice.

Hoffman has won five Golden Globes, two Oscars and two Primetime Emmys.  He was honored with the Cecil B. DeMille Award, the Kennedy Center Honors and American Film Institute Life Achievement Award.

Nilsson grew up in a poor family and began writing songs while he was a computer programmer at a bank.  Nilsson wrote three songs with Phil Spector and also partnered with Perry Botkin, Jr.  Harry released several albums without a lot of fanfare until "Everybody's Talkin'" was included in Midnight Cowboy.  

Once that song caught on, he did much better with his career-best album, Nilsson Schmilsson in 1971 (featuring the smash "Without You" and "Coconut").  He also found success with "I Guess The Lord Must Be In New York City", "Jump Into The Fire" and "Spaceman".  Nilsson also wrote "One", which Three Dog Night turned into a classic.  

"Everybody's Talkin'" initially failed to make the Hot 100 until 

Derek Taylor recommended Nilsson to Midnight Cowboy director John Schlesinger.  Once the film opened, Nilsson re-released the single, with it reaching #6 this time and #2 on the Easy Listening chart in the United States and #1 in Canada.  "Everybody's Talkin'" picked up a Grammy Award for Best Contemporary Male Vocal Performance and has sold over one million copies.

Midnight Cowboy was nominated for Best Motion Picture - Drama, Best Director, Best Actor - Drama for both Hoffman and Voight and Best Supporting Actress for Vacarro at the Golden Globe Awards and won Best Picture and Best Director at the Academy Awards with Hoffman and Voight nominated for Best Actor, Miles nominated for Best Supporting Actress and Schlesinger nominated for Best Director while John Barry won a Grammy for Best Instrumental Theme.  The movie grossed just $44 million.



Everybody's talkin' at meI don't hear a word they're sayin'Only the echoes of my mind
People stoppin', starin'I can't see their facesOnly the shadows of their eyes
I'm goin' where the sun keeps shinin'Through the pourin' rainGoin' where the weather suits my clothes
Bankin' off of the northeast windsSailin' on summer breezeAnd skippin' over the ocean like a stone
I'm goin' where the sun keeps shinin'Through the pourin' rainGoin' where the weather suits my clothes
Bankin' off of the northeast windsSailin' on summer breezeAnd skippin' over the ocean like a stone
Everybody's talkin' at me



 

#49--"I Just Called To Say I Love You" by Stevie Wonder (from the movie The Woman in Red--1984)


Stevie Wonder wrote this contribution to the 1984 movie The Woman in Red.  The romantic comedy directed by Gene Wilder stars Wilder and Charles Grodin with support from Joseph Bologna, Judith Ivey and Gilda Radner.

Wilder plays advertiser Teddy Pierce who becomes infatuated with Charlotte (played by Kelly LeBrock), a woman who he sees on the street when a current of air lifts her red dress up.  

Wilder graduated with a degree in Communication and Theatre Arts from the University of Iowa, and then went to the Bristol Old Vic Theatre School in England.  While there, Gene became the first freshman to win the All-School Fencing championship.  

He appeared in the 1967 movie Bonnie and Clyde, and was nominated for Best Supporting Actor for The Producers later that year.  Gene and director Mel Brooks continued an association that would last several years.  They co-wrote the hilarious Young Frankenstein, earning an Oscar nomination for Best Adapted Screenplay.  

Wilder starred in Willy Wonka & the Chocolate Factory, Blazing Saddles, the great movie Silver Streak (with Richard Pryor and Jill Clayburgh), The World's Greatest Lover and The Frisco Kid, then teamed up with Pryor again in Stir Crazy.

Most artists really have to work at their craft; Wonder was born with a special gift.  Blind since just after he was born, Stevie was signed to Tamla Records at the age of 11.  Two years later, Wonder became the youngest person in history to score a #1 song with "Fingertips".  

Beginning in 1972, Stevie was at his peak with a string of albums over a five-year period that featured mature and social themes and innovative musical compositions highlighted by his mind-blowing synthesizer work.  Music of My Mind, Talking Book (featuring the classics "Superstition" and "You Are The Sunshine Of My Life"), Innervisions (with "Higher Ground" and "Living For The City") and Fulfillingness' First Finale (featuring "You Haven't Done Nothin'" and "Boogie On Reggae Woman") were all sensational, leading up to his masterpiece, Songs in the Key of Life in 1977, a double-album with "Sir Duke", "I Wish", "Isn't She Lovely", "As", "Another Star" and many other great tracks. 

There was simply no one producing better music than Stevie during that period, and he became the only artist in history to win Album of the Year three consecutive years at the Grammy Awards for the last three of that group.

Wonder also scored with "Uptight (Everything's Alright)", "A Place In The Sun", "Ebony And Ivory", "Someday At Christmas", "I Was Made To Love Her", "Just Once In My Life", "My Cherie Amour", "Signed, Sealed, Delivered (I'm Yours)", "If You Really Love Me", "Send One Your Love", "Part-Time Lover" and "That Girl".

Wonder has won 25 Grammys (to lead all male solo artists).  He has been inducted into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.  No less than 14 colleges and universities have conferred Honorary Degrees on Stevie.

"I Just Called To Say I Love You" shot up to #1 in 28 countries (the U.S., the U.K., Australia, Canada, New Zealand, Ireland, Denmark, Finland, France, the Netherlands, Norway, Switzerland, Sweden, Belgium, Brazil, Chile, Greece, Italy, Nicaragua, Panama, Peru, Portugal, Puerto Rico, South Africa, Spain, Uruguay West Germany and Zimbabwe)  and won both a Golden Globe and an Oscar for Best Original Song.  The track was also nominated for Song of the Year, Best Male Pop Vocal Performance and Best Pop Instrumental Performance at the Grammy Awards.  The single has sold over one million units in the U.S. and 5 million worldwide.

The "Woman In Red" Soundtrack flew to #1 in Norway, Spain and Sweden,#2 in the U.K., Switzerland and the Netherlands and #4 in the United States, Canada and New Zealand.  The album has sold over one million in the U.S. and 2.5 million copies worldwide.

The movie grossed just $25 million at the box office.



No New Year's Day to celebrateNo chocolate covered candy hearts to give awayNo first of spring, no song to singIn fact, here's just another ordinary day
No April rain, no flowers bloomNo wedding Saturday within the month of JuneBut what it is, is something trueMade up of these three words that I must say to you
I just called to say I love youI just called to say how much I careI just called to say I love youAnd I mean it from the bottom of my heart
No summer's high, no warm JulyNo harvest moon to light one tender August nightNo autumn breeze, no falling leavesNot even time for birds to fly to southern skies
No Libra sun, no HalloweenNo giving thanks to all the Christmas joy you bringBut what it is, though old, so newTo fill your heart like no three words could ever do
I just called to say I love youI just called to say how much I care, I doI just called to say I love youAnd I mean it from the bottom of my heart
I just called to say I love youI just called to say how much I care, I doI just called to say I love youAnd I mean it from the bottom of my heart

Of my heartOf my heart (baby, of my heart)




 

#48--"You're The One That I Want" by Olivia Newton-John & John Travolta (from the movie Grease--1978)


John Farrar wrote this (one of two he wrote for Grease in our special) for friend Olivia Newton-John and John Travolta.  "You're The One That I Want" is the highest of three tunes from Grease to make our special.  Produced by Robert Stigwood, "You're The One That I Want" is one of 11 songs from 1978 to make The Top 200*--only 1980 and 1984 (with 14 songs each) have more.

Danny Zuko, played by Travolta, lettered in cross country in an effort to win the heart of Sandy Olsson (Newton-John).  Meanwhile Sandy has completely transformed herself from a prim and proper look to leather in an attempt to win back Danny.  

When Sandy appears with her new look as Danny is talking to his friend, he is shocked but pleasantly so.  Sandy is a little surprised as well to see Danny in a letterman's jacket.  The song plays as the two evaluate each other and profess their love and desire for each other. 

Stockard Channing, Didi Conn, Sid Caesar, Jeff Conaway, Eve Arden, Frankie Avalon, Joan Blondell, Edd Byrnes, Alice Ghostley, Dody Goodman and Sha Na Na offer support.

Stigwood was one of the most-successful music entrepreneurs of his time, managing the careers of the Bee Gees, Andy Gibb and Cream.  He partnered with Stephen Komlosy in the 1960's to form Robert Stigwood Associates.  Cream was founded in 1966 from two bands that Stigwood had under contract, John Mayall's Bluesbreakers and the Graham Bond Organisation.  Robert was also booking tours for the Who at the time and arranged for Cream to open for the Who in The United States, which gave them great exposure.  

In 1967, Stigwood merged with Brian Epstein's company NEMS and soon Stigwood was managing the Bee Gees, an Australian group who were hoping to broaden their appeal.  From their first big hit, "New York Mining Disaster 1941", Stigwood guided the Bee Gees to superstardom, including a period in the late 1970's in which the trio set a then-Rock Era record with six consecutive #1 songs.

When Epstein died later in 1967, Stigwood formed the Robert Stigwood Organisation and later managed Andy Gibb, younger brother of the Bee Gees.  He also produced the Broadway shows Hair and Jesus Christ Superstar and revitalized the career of Clapton after the breakup of Cream.

Stigwood also shocked many by signing Travolta, then a relatively unknown TV actor, to a three-movie contract.  Travolta's first movie of the three was Saturday Night Fever, which immediately turned him into a superstar, then followed that up with Grease and Urban Cowboy.  Stigwood later teamed with Andrew Lloyd Webber and Tim Rice to produce the movie Evita.

Conn also starred in You Light Up My Life, Grease 2 and Benson.

"You're The One That I Want" rose to #1 in the U.S., the U.K., Australia, New Zealand, Ireland, Finland, the Netherlands, Norway, Sweden and Switzerland and was a Top 5 smash in every major country in the world.  It was nominated for Best Original Song at the Golden Globes and Academy Awards and has gone over the 4-million mark in sales in the U.S. and 15 million worldwide.

The "Grease" Soundtrack was one of The Top Albums of 1978*, hitting #1 in the United States, U.K., Germany, France, Canada, Australia, New Zealand, the Netherlands, Norway, Japan, and Sweden and selling just short of 17 million in the U.S. and 30 million worldwide.  The blockbuster release captured the American Music Award for Favorite Pop (Rock Album).

Grease was a phenomenon in cinemas, ringing up a gross of $396 million.  That is the equivalent of a 2025 movie bringing in $1.9 billion today.  It received Golden Globe nominations for Best Motion Picture - Comedy or Musical, Best Actor for Travolta and Best Actress for Newton-John.


I got chills, they're multiplyingAnd I'm losing control'Cause the power you're supplyingIt's electrifying (electrifying)
You better shape up'Cause I need a manAnd my heart is set on youYou better shape upYou better understandTo my heart I must be trueNothin' left, nothin' left for me to do
You're the one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want (you are the one I want)Ooh, ooh, oohThe one I need (the one I need)Oh, yes, indeed (yes, indeed)
If you're filled with affectionYou're too shy to conveyMeditate in my directionFeel your way
I better shape up'Cause you need a manI need a manWho can keep me satisfiedI better shape upIf I'm gonna proveYou better proveThat my faith is justifiedAre you sure?Yes, I'm sure down deep inside
You're the one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want (you are the one I want)Ooh, ooh, oohThe one I need (the one I need)Oh, yes, indeed (yes, indeed)
You're the one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want (you are the one I want)Ooh ooh, oohThe one I need (the one I need)Oh, yes, indeed (yes, indeed) ooh, ooh
You're the one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want (you are the one I want)Ooh, ooh, oohThe one I need (the one I need)Oh, yes, indeed (yes, indeed)

You're the one that I want (you are the one I want)Ooh, ooh, ooh, honeyThe one that I want



#47--"I Have Nothing" by Whitney Houston (from the movie The Bodyguard--1992)

Canadian composer David Foster wrote this smash with Linda Thompson for Whitney Houston and the 1992 movie The Bodyguard, which stars Whitney with Kevin Costner.  Whitney was reluctant to play the role but relented after talking to Costner, who doubled as co-producer for the film as well.  

Costner is a former Secret Service agent and bodyguard who is hired to protect famous actress and singer Rachel Marron from an unseen stalker who has sent her death threats.  Writer Lawrence Kasdan originally wrote the movie in the mid-70's for Steve McQueen and Diana Ross, according to John J. Puccio on The Bodyguard DVD.  

Costner played a minor role in the great comedy Night Shift in 1982 and went on to became one of the most popular stars of the 80's and 90's, appearing in The Untouchables, Bull Durham, Field of Dreams, JFK, Dances with Wolves (which he directed and won Oscars for Best Picture and Best Director), Robin Hood:  Prince of Thieves and The Bodyguard, also producing the latter two.  

Costner has also starred in Tin Cup, For Love of the Game, Thirteen Days and Draft Day.  Kevin has won three Golden Globe Awards and two Academy Awards.  

Foster, a noted producer, songwriter, arranger and musician, was a keyboardist for Skylark, who enjoyed the hit "Wildflower" in 1973.  David later played keyboards for George Harrison, Ringo Starr and Earth, Wind & Fire, co-writing six of the latter's songs on the album I Am, including "After The Love Has Gone".

Foster co-wrote and produced for Boz Scaggs and the Tubes, playing keyboard and co-writing "Look What You've Done To Me", "Breakdown Dead Ahead" and "Jojo" for Scaggs and "She's A Beauty" for the Tubes.  David produced three albums for Chicago, including their biggest, Chicago 17, and co-wrote "Hard To Say I'm Sorry" and "You're The Inspiration", as well as "Glory Of Love" for lead singer Peter Cetera's solo career.

David also produced "Un-Break My Heart" for Toni Braxton, "Because You Loved Me" for Celine Dion and "I Have Nothing" for Whitney Houston, produced albums by Josh Groban and  Michael Bublé and co-wrote "Heart To Heart" for Kenny Loggins, among many other accomplishments.

Foster has won 16 Grammy Awards from a sensational 47 nominations and has produced over 40 Top 40 hits.

After the incredible success of the movie's first two singles, "I Will Always Love You" and "I'm Every Woman", Houston struck gold again with "I Have Nothing", which jumped to #1 on the Adult Contemporary chart and #4 overall in the United States and went Double Platinum.  The song also went to #1 in Canada and #4 in the U.K. and was nominated for Best Original Song at the Oscars.

The soundtrack debuted at #2 before taking over at #1 on the Album chart the following week.  When its run was over, "The Bodyguard" Soundtrack totaled 20 weeks at #1, the most ever for a female artist.  It was a global sensation, reaching #1 in every major country of the world except Ireland, where it peaked at #2, and finishing the year as the #1 Album of 1993* in the U.S., the U.K., Germany, Australia and the Netherlands.   Remarkably, the album swept the American Music Awards with honors for Favorite Pop/Rock Album, Favorite Adult Contemporary Album and Favorite Soul/R&B Album, the three major categories in music!

"The Bodyguard" Soundtrack is one of five giants in cinema to have four songs in The Top 200 Movie Songs of the Rock Era* (the others being A Hard Day's Night, Purple Rain, Waiting to Exhale and Saturday Night Fever).  Two other soundtracks generally considered to be among the best--Footloose and Grease--have three entries each.  

The Recording Industry Association of America certified the album with 10 million sales in November of 1993--it has now topped 18 million--and the soundtrack has now passed 45 million globally.  

The movie sports a gross of $411 million and was nominated for Best Motion Picture - Comedy or Musical, Best Actor and Best Actress in a Motion Picture - Comedy or Musical (for Costner and Houston) and won People's Choice Awards for Favorite Overall Motion Picture and Favorite Musical Motion Picture.



Share my life, take me for what I am

'Cause I'll never change all my colors for you
Take my love, I'll never ask for too much
Just all that you are and everything that you do

I don't really need to look very much further
I don't wanna have to go where you don't follow
I won't hold it back again, this passion inside
Can't run from myself, there's nowhere to hide

But don't make me close one more door
I don't wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don't walk away from me
I have nothing, nothing, nothing
If I don't have you, you, you, you, you

You see through, right to the heart of me
You break down my walls with the strength of your love, mm
I never knew love like I've known it with you
Will a memory survive, one I can hold on to

I don't really need to look very much further
I don't wanna have to go where you don't follow
I won't hold it back again, this passion inside
I can't run from myself, there's nowhere to hide
Your love, I'll remember forever

But don't make me close one more door
I don't wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don't walk away from me
I have nothing, nothing, nothing
Don't make me close one more door
I don't wanna hurt anymore
Stay in my arms if you dare
Or must I imagine you there
Don't walk away from me
Don't walk away from me

Don't you dare walk away from me
I have nothing, nothing, nothing
If I don't have you, you
If I don't have you, oh you


 

#46--"Again" by Janet Jackson (from the movie Poetic Justice--1993)

Janet Jackson wrote this with James Harris III (nicknamed "Jimmy Jam") and Terry Lewis for the 1993 movie Poetic Justice.  Jackson also stars in the movie with Tupac Shakur, Tyra Ferrell and Regina King.  Jackson is a poet named Justice whose boyfriend has recently died from gun violence.  To recover from her loss, she takes a trip with a friend (King) and two postal workers named Chicago (Joe Torry) and Lucky (Shakur) from Los Angeles to Oakland.  

Lewis was in the group Flyte Tyme, which Harris joined later.  In 1981, Prince reformed the group as the Time, which produced five albums.  After hiring Dina Andrews as their manager, Harris and Lewis wrote songs for the S.O.S. Band and Cherrelle, among others, before producing six albums for Jackson, including her breakthrough Control, Rhythm Nation 1814, Janet and The Velvet Rope, the four biggest albums of Jackson's career.  Among the songs Jimmy Jam and Lewis wrote for Jackson are "That's The Way Love Goes", "Again",  "Nasty", "What Have You Done For Me Lately?", "If", "When I Think Of You", "Alright", "Escapade", 'Together Again", "Come Back To Me", "Miss You Much" and "Control".

Harris and Lewis founded Perspective Records in 1991 and produced the soundtrack to the movie Mo Money.  

Harris and Lewis have written over 200 songs and 41 hits and have worked with Michael Jackson, Mariah Carey ("Thank God I Found You"), Aretha Franklin, Rod Stewart, Prince, Bryan Adams, Boyz II Men ("On Bended Knee"), George Michael, Usher, Lionel Richie, TLC, Mary J. Blige ("No More Drama"), Herb Alpert ("Diamonds"), the Spice Girls, the Human League ("Human"), Karyn White ("Romantic"), Yolanda Adams ("Be Blessed"), and many others.

Jackson starred on the television shows Good Times, Diff'rent Strokes and Fame before signing a contract with A&M Records in 1982.  Her early solo work influenced the "New Jack Swing" (a fusion of Hip-Hop and Dance) and Janet became one of the top-paid artists and performers at the time.  

Jackson has won 11 American Music Awards, five Grammys and 11 Billboard Music Awards.  She put together an incredible string of 18 consecutive Top 10 songs, the most ever by a female artist, and is the only artist in history to enjoy 7 Top 5 songs from one album (Rhythm Nation 1814).  Janet was inducted into the Rock and Roll Hall of Fame in 2019.

"Again" was a #1 smash in the United States and also a #2 hit in Canada, #5 in Sweden and #6 in the U.K. and was nominated for Best Original Song at both the Golden Globe and Academy Awards.  The single has sold over one million copies.

Poetic Justice managed a gross of just $27 million.


I heard from a friend todayAnd she said you were in townSuddenly the memories came back to me in my mind
"How can I be strong?" I've asked myselfTime and time I've saidThat I'll never fall in love with you again
A wounded heart you gaveMy soul you took awayGood intentions you had manyI know you didI've come from a place that hurtsAnd God knows how I've criedAnd I never want to returnNever fall again
Making love to youOh, it felt so good andOoh, so right
"How can I be strong?" I've asked myselfTime and time I've saidThat I'll never fall in love with you again
So here we are alone againDidn't think it'd come to thisAnd to know it all beganWith just a little kissI've come too close to happinessTo have it swept awayDon't think I can take the painNever fall again
Kinda late in the game but my heart is inYour handsDon't you stand there and thenTell me you love me then leave again'Cause I'm falling in love withYou again

Hold meHold meDon't ever let me goSay it just one timeSay you love meGod knows I do love youAgain


 

#45--"Lose Yourself" by Eminem (from the movie 8 Mile--2002)

Marshall Mathers (Eminem) wrote this with Jeff Bass and Luis Resto for the 2002 movie 8 Mile.  The lyrics describe Eminem's character in the movie, his film debut, with Meihi Phifer, Kim Basinger,  Brittany Murphy, Michael Shannon co-starring.

Eminem is Jimmy Smith, Jr., a rapper from Detroit, Michigan.  The title is taken from 8 Mile Road in Detroit that divides the mostly black city of Detroit from the mostly white suburbs that Eminem lived in.

Basinger started out as a model (she appeared on the cover of several magazines and the debut album by Survivor as well as being known as the Breck Shampoo girl) before switching to acting in 1976.  She appeared in several films, achieving her breakthrough as the Bond girl Domino Petachi in the movie Never Say Never Again.  Kim received a Golden Globe nomination for The Natural and also starred in Batman in 1989.  

Basinger should have won Best Actress for Final Analysis in 1992 but the Academy did give a makeup award to her for L.A. Confidential in 1997.  She has also starred in No Mercy, Blind Date, 9 1/2 Weeks, The Sentinel and Fifty Shades Darker.  

"Lose Yourself" was Eminem's biggest career hit with a 12-week stay at #1 in the U.S. and it was a Top 10 smash the world over, with many countries, including the U.S., the U.K., Australia, Canada, Denmark, Finland, Ireland, the Netherlands, Norway, Sweden and Switzerland placing it at #1.  It received the Academy Award for Best Original Song and was nominated in the same category at the Golden Globes with Eminem also winning Grammys for Best Rap Song and Best Rap Solo Performance and being nominated for Best Song Written for a Motion Picture, Television or Other Visual Media.  

The track has been downloaded 10 million times in the U.S. alone. and has sold over 22 million copies worldwide.

The movie's soundtrack was a Top 10 hit around the world, including #1 in the U.S., U.K., Germany, Canada, Australia, New Zealand and Denmark.  It has surpassed six million in U.S. sales and 11 million globally.

8 Mile grossed $242 million at the box office.


Look, if you had one shot, or one opportunity

To seize everything you ever wanted-One moment

Would you capture it or just let it slip?


His palms are sweaty, knees weak, arms are heavy

There's vomit on his sweater already, mom's spaghetti

He's nervous, but on the surface he looks calm and ready to drop bombs,

but he keeps on forgettin what he wrote down,

the whole crowd goes so loud


He opens his mouth, but the words won't come out

He's choking now, everybody's joking now

The clock's run out, time's up over!


Snap back to reality, Oh there goes gravity

Oh, there goes Rabbit, he choked

He's so mad, but he won't give up that

Easy, no


He won't have it , he knows his whole back's to these ropes

It don't matter, he's dope

He knows that, but he's broke

He's so stacked that he knows

When he goes back to his mobile home, that's when it's

Back to the lab again yo

This this whole rhapsody

He better go capture this moment and hope it don't pass him


[Hook:]

You better lose yourself in the music, the moment

You own it, you better never let it go

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime yo


The soul's escaping, through this hole that it's gaping

This world is mine for the taking

Make me king, as we move toward a, new world order

A normal life is boring, but superstardom's close to post mortem


It only grows harder, only grows hotter

He blows us all over these people is all on him

Coast to coast shows, he's known as the globetrotter

Lonely roads, God only knows


He's grown farther from home, he's no father

He goes home and barely knows his own daughter

But hold your nose 'cause here goes the cold water

His people don't want him no more, he's cold product

They moved on to the next schmoe who flows


He nose dove and sold nada

So the soap opera is told and unfolds

I suppose it's old partner but the beat goes on

Da da dum da dum da da


[Hook]

No more games, I'ma change what you call rage

Tear this roof off like 2 dogs caged

I was playing in the beginning, the mood all changed

I been chewed up and spit out and booed off stage

But I kept rhyming and stepwritin the next cypher


Best believe somebody's paying the pied piper

All the pain inside amplified by the fact

That I can't get by with my 9 to 5

And I can't provide the right type of life for my family


Cause man, these food stamps don't buy diapers

And it's no movie, there's no Mekhi Phifer, this is my life

And these times are so hard and it's getting even harder

Trying to feed and water my seed, plus

Teeter totter caught up between being a father and a prima Donna


Baby mama drama's screaming on and

Too much for me to wanna

Stay in one spot, another day of monotony

Has gotten me to the point, I'm like a snail

I've got to formulate a plot or I end up in jail or shot


Success is my only option, failure's not

Mom, I love you, but this trailer's got to go

I cannot grow old in Salem's lot

So here I go is my shot.

Feet fail me not cause maybe the only opportunity that I got


[Hook]

You can do anything you set your mind to, man


 

#44--"Can You Feel The Love Tonight" by Elton John (from the movie The Lion King--1994)

Here's the highest-rated of two songs from The Lion King at #44, written by Elton John and Tim Rice. The movie is the awesome story of a lion cub named Simba who grows up in the Pride Lands of Tanzania admiring his father, King Mufasa, and learning from his wisdom.  But Scar, Mufasa's brother, is the fly in the ointment as he is jealous of Mufasa and wants the crown for himself.

Scar deviously comes up with a plan to get rid of both Simba as well as Mufasa.  Simba and his best Friend, Nala, disobey Mufasa to explore an elephant graveyard and along the way, they encounter three hilarious hyenas.  Mufasa rescues them but the hyenas help Scar with his evil plot, leading to the death of Mufasa. 

Scar convinces Simba that his father's death is his fault and Simba flees the Pride Lands in shame.  Two delightful characters, a meerkat named Timon and a warthog by the name of Pumbaa, befriend Simba when he needs it most.  Simba grows into adulthood and soon Nala finds him and convinces him that he needs to return home and face his fate, whatever that may be.

The Lion King stars the voices of Matthew Broderick, James Earl Jones, Jeremy Irons, Ernie Sabella, Nathan Lane, Whoopi Goldberg, Cheech Marin, Jim Cummings and Jonathan Taylor Thomas.

Broderick fashioned himself quite a career as a young actor, starring in the great movies Max Dugan ReturnsWarGames and the fantastic movie Ladyhawke.  He also starred in Ferris Bueller's Day Off as well and has earned great respect as a serious actor in recent decades .  He starred in both the Broadway and film versions of The Producers and has also starred in Project X, The Freshman, Glory, The Cable GuyGodzilla and The Stepford Wives.

Broderick won a Tony Award for Best Featured Actor in a Play for Brighton Beach Memoirs in 1983 and another for Best Actor in a Musical for How to Succeed in Business Without Really Trying.  Matthew also starred in the play Nice Work if You Can Get It.  In 2017, Broderick was inducted into the American Theatre Hall of Fame.

"Can You Feel The Love Tonight" catapulted to #1 in Canada and France and reached #2 in Sweden, #4 in the United States, Norway and Austria, #7 in New Zealand, #9 in Australia, Ireland and Scotland and #10 in Switzerland.  It has sold over one million copies in the U.S. and two million around the world and captured the Oscar for Best Original Song.

The soundtrack hit #1 in the U.S., Canada, New Zealand and Switzerland and has now hit the 10-million mark in U.S. sales to put it in rarified air for soundtrack sales with 20 million units bought up globally.  No less than three songs from the album were nominated for Best Original Song, with "Can You Feel The Love Tonight" joined by "Circle Of Life" and "Hakuna Matata".

The album won three Grammy Awards out of six nominations, including wins for Best Male Pop Vocal Performance for "Can You Feel The Love Tonight", Best Musical Album for Children and Best Instrumental Arrangement with Accompanying Vocals for "Circle Of Life" and nominations for Best Song Written Specifically for a Motion Picture or Television for both this one and "Circle Of Life" and Best Instrumental Composition Written for a Motion Picture or Television.

The Lion King is both one of the top animated films of all-time as well as one of the top movies overall.  It was a sensation then and to this day, spawning several sequels as well as a top Broadway play.  The movie grossed $978 million, with Hans Zimmer taking home the Golden Globe Award for Best Motion Picture - Comedy or Musical and the Golden Globe and the Academy Award for Original Score.


There's a calm surrenderTo the rush of dayWhen the heat of a rolling waveCan be turned awayAn enchanted momentAnd it sees me throughIt's enough for this restless warriorJust to be with you
And can you feel the love tonight? (Tonight)It is where we areIt's enough for this wide-eyed wandererThat we got this farAnd can you feel the love tonight? (Tonight)How it's laid to rest?It's enough to make kings and vagabondsBelieve the very best
There's a time for everyoneIf they only learnThat the twisting kaleidoscopeMoves us all in turnThere's a rhyme and reasonTo the wild outdoorsWhen the heart of this star-crossed voyagerBeats in time with yours

And can you feel the love tonight? (Tonight)It is where we areIt's enough for this wide-eyed wandererThat we got this farAnd can you feel the love tonight? (Tonight)How it's laid to rest?It's enough to make kings and vagabondsBelieve the very bestIt's enough to make kings and vagabondsBelieve the very best



 

#43--"Return To Sender by Elvis Presley (from the movie Blue Hawai'i--1962)

Elvis Presley recorded this song on March 27, 1962 and released it on October 2 of that year.  Written by Otis Blackwell and Winfield Scott, the song was featured in the 1962 movie Girls!  Girls!  Girls!  

Elvis plays a poor Hawai'i fisherman named Ross Carpenter who loves the sea and fishing but dreams of getting his own boat.  Ross has not one but two women interested in him, a nightclub singer named Robin Gantner (played by Stella Stevens) who is immature and doesn't treat him well and Laurel Dodge (played by Laurel Goodwin), who appears to be a nice girl but may not quite be as she seems.  Carpenter has to choose between the two.  Drummer Hal Blaine and Jack Nitzsche are among the musicians in the Lounge Band.

In addition to "Return To Sender", Blackwell wrote "Don't Be Cruel" and "All Shook Up" for Elvis, "Great Balls Of Fire" for Jerry Lee Lewis, "Fever" (originally for Little Willie John and made famous by Peggy Lee) and "Handy Man" (originally for Jimmy Jones and made famous by James Taylor).

Blackwell, who wrote over 1,000 songs for artists including Billy Joel, the Who, James Brown, Dolly Parton, Otis Redding, Carl Perkins and the Judds and produced for artists such as Connie Francis and Mahalia Jackson, was inducted into the Songwriters Hall of Fame in 1991.

Blaine was one of the most famous drummers in history, playing on over 35,000 songs and 6,000 singles.  Blaine's drumming has appeared on over 150 Top 40 hits and 40 #1 songs.  He was part of Phil Spector's session band, which Blaine nicknamed "The Wrecking Crew". 

Hal started out as part of Count Basie's band before turning to session work.  He was highly sought out as a dependable and innovative drummer.  So popular was Blaine that he performed on an unprecedented six consecutive Record of the Year winners at the Grammy Awards:  "A Taste Of Honey" by Herb Alpert & the Tijuana Brass in 1966, "Strangers In The Night" for Frank Sinatra in 1967, "Up, Up And Away" for the 5th Dimension in 1968, "Mrs. Robinson" for Simon & Garfunkel in 1969, "Aquarius/Let The Sunshine In" for the 5th Dimension in 1970 and "Bridge Over Troubled Water" for Simon & Garfunkel in 1971.

Including the above, this is just a very small sample of the incredible credits that Hal had:  "All I Have To Do Is Dream" by the Everly Brothers, "Can't Help Falling In Love" and "Return To Sender" by Presley, "Good Vibrations", "I Get Around", "Fun ,Fun, Fun!" "Help Me, Rhonda", "God Only Knows" and "California Girls" by the Beach Boys, "Close To You", We've Only Just Begun", 'Top Of The World", "Hurting Each Other", "Rainy Days And Mondays" and "For All We Know" by the Carpenters, "Mr. Tambourine Man" by the Byrds, "I Got You Babe" by Sonny & Cher,  "Windy", "Never My Love", "Everything That Touches You" and "Along Comes Mary" by the Association, "Love Will Keep Us Together" and "Muskrat Love" for the Captain & Tennille, "Song Sung Blue" and "Cracklin' Rosie" by Neil Diamond, "Monday, Monday" and "California Dreamin'" by the Mamas & the Papas, "Annie's Song" by John Denver, "Dizzy" by Tommy Roe, "Eve Of Destruction" by Barry McGuire, "Indian Reservation" by Paul Revere & the Raiders, "Theme From 'Mahogany'" by Diana Ross, "Half-Breed" by Cher, "Da Doo Ron Ron" by the Crystals, "Baby I Need Your Loving" by Johnny Rivers and "Be My Baby" and "Sleigh Ride" by the Ronettes.

In 2000, Blaine was inducted into the Rock and Roll Hall of Fame and he received a Grammy Lifetime Achievement Award in 2018.

"Return To Sender" is one of The Top #2 Songs of the Rock Era* in the U.S. but did hit #1 in the U.K., Ireland, Norway and Sweden and has sold over one million copies

When the U.S. Postal Service issued a commemorative postage stamp honoring Elvis on what would have been his 58th birthday, fans mailed envelopes stamped with first-day issues of the commemorative stamp to fictitious addresses so that they would receive their letters back, marked with the words "Return to Sender".

Girls!  Girls!  Girls! was nominated for Best Motion Picture - Musical at the Golden Globe Awards and grossed nearly $4 million, the equivalent of $42 million today.



Return to senderReturn to sender
I gave a letter to the postmanHe put it in his sackBright early next morningHe brought my letter back
Return to sender, address unknownNo such number, no such zoneWe had a quarrel, a lover's spatI write I'm sorry, but my letter keeps coming back
So then I dropped it in the mailboxAnd sent it special DBright and early next morningIt came right back to me
Return to sender, address unknownNo such person, no such zone
This time I'm gonna take it myself and put it right in her handAnd if it comes back the very next day then I'll understand
Return to sender, address unknownNo such number, no such zone

Return to senderReturn to senderReturn to senderReturn to sender...



 

#42--"Everybody Wants To Rule The World" by Tears for Fears (from the movie Real Genius--1985)

This duo had a great year in 1985 with their album Songs from the Big Chair.  Roland Orzabal and Ian Stanley of the group wrote this song with help from producer Chris Hughes.  "Everybody Wants To Rule The World" appeared in the movie Real Genius a few months after its single release. 

The movie takes place on the campus of Pacific Tech, a science and engineering university in California with Chris Knight (played by Val Kilmer) and Mitch Taylor (Gabe Jarret) teaming up to work on a chemical laser.  The excitement fades when the two find out that it will be used for destructive purposes.

Tears for Fears scored Top 5 hits in the U.K. with each of their first three releases--"Mad World", "Change" and "Pale Shelter", though most of the world didn't hear about them until their two Top 500 Songs of the Rock Era*, "Everybody Wants To Rule The World" and "Shout" in 1985.

"Everybody Wants To Rule The World" soared to #1 in the U.S., Canada and New Zealand and #2 in the U.K., Australia, New Zealand, Ireland and the Netherlands and has sold over 3 million copies worldwide.

Real Genius grossed just $13 million.



 

#41--"Happy" by Pharrell Williams (from the movie Despicable Me 2--2013)

Pharrell Williams wrote this feel-good song for the 2013 movie Despicable Me 2.  An aircraft has made away with a dangerous chemical that alters genetic material and Silas Ramsbottom, director of the Anti-Villain League, recruits former bad guy Gru to retrieve the chemical.  Together, Gru and Lucy Wilde take the case to find out who took the chemical and bring them to justice.

Despicable Me 2 stars the voices of Steve Carell, Kristen Wilg, Benjamin Bratt and Miranda Cosgrove.

Williams joined Chad Hugo to form the Neptunes, a music production team, in 1992.  Pharrell's debut single "Frontin'" with Jay-Z reached #1.  

Williams has won 13 Grammy Awards, including three for Producer of the Year.  Together with Hugo, Williams has written and produced hundreds of songs, with 15 Top 10 songs and four #1's, including the worldwide smash "Blurred Lines" for Robin Thicke, "Hot In Herre" (sic) for Nelly, "Rock Your Body" for Justin Timberlake and "Timeless" for the Weeknd (sic).  Williams has worked with Madonna, Usher, Gloria Estefan, Alicia Keys, Beyonce, Destiny's Child, Jay-Z, Mary J. Blige, John Legend, Babyface, Pitbull, Ed Sheeran, Gwen Stefani, Ariana Grande, Snoop Dogg, SWV, Beck, Mumford and Sons, Ciara, Ludacris, Kendrick Lamar, Blackstreet, Total, Kelis, Mystikal and Calvin Harris, among many others.

Pharrell also owns a fashion label and retail outlet in London, Billionaire Boys Club.  He has been the Men's creative director for Louis Vuitton since 2023.

"Happy" sold over 6 million copies by 2014 in the United States alone and an additional 1.5 million in the U.K.  The song has now sold over 18 million copies worldwide, one of the top-selling in history.  

It reached #1 in the U.K. a record-breaking three times and became the most downloaded track of all-time.  Official estimates in Japan put the song at 50 million downloads in that country alone. "Happy" made the Top 10 in nearly every major nation, attaining the #1 spot in the U.S., U.K., Germany, Canada, Australia, New Zealand, Ireland, the Netherlands, France,  Norway, Switzerland, Austria, Denmark, Belgium, Bulgaria, the Czech Republic, Greece, Hungary, Israel, Italy, Luxembourg, Mexico, Moldova, Poland, Portugal, Romania, Russia, South Africa, Slovakia and Venezuela.  

"Happy" was nominated for Best Original Song at the Academy Awards.

Despicable Me 2 brought in a gross of $971 million and was nominated for Best Animated Feature Film at the Golden Globe Awards and the Academy Awards.

"Happy" was nominated for an Academy Award for Best Original Song


It might seem crazy what I'm about to saySunshine she's here, you can take a breakI'm a hot air balloon that could go to spaceWith the air, like I don't care baby by the way
Because I'm happyClap along if you feel like a room without a roofBecause I'm happyClap along if you feel like happiness is the truthBecause I'm happyClap along if you know what happiness is to youBecause I'm happyClap along if you feel like that's what you wanna do
Here come bad news talking this and thatYeah, well, gimme all you got and don't hold backYeah, well I should probably warn you I'll be just fineYeah, no offense to you don't waste your timeHere's why
Because I'm happyClap along if you feel like a room without a roofBecause I'm happyClap along if you feel like happiness is the truthBecause I'm happyClap along if you know what happiness is to youBecause I'm happyClap along if you feel like that's what you wanna do
bring me downCan't nothing (happy) bring me downMy level's too high (happy) to bring me downCan't nothing (happy) bring me downI said(Happy, happy, happy) bring me downCan't nothing bring me downMy level's too high (happy) to bring me downCan't nothing bring me downI said
Because I'm happyClap along if you feel like a room without a roofBecause I'm happyClap along if you feel like happiness is the truthBecause I'm happyClap along if you know what happiness is to youBecause I'm happyClap along if you feel like that's what you wanna do
Because I'm happyClap along if you feel like a room without a roofBecause I'm happyClap along if you feel like happiness is the truthBecause I'm happyClap along if you know what happiness is to youBecause I'm happyClap along if you feel like that's what you wanna do
bring me downCan't nothing (happy) bring me downMy level's too high (happy) to bring me downCan't nothing (happy) bring me downI said
Because I'm happyClap along if you feel like a room without a roofBecause I'm happyClap along if you feel like happiness is the truthBecause I'm happyClap along if you know what happiness is to youBecause I'm happyClap along if you feel like that's what you wanna do

Because I'm happyClap along if you feel like a room without a roofBecause I'm happyClap along if you feel like happiness is the truthBecause I'm happyClap along if you know what happiness is to youBecause I'm happyClap along if you feel like that's what you wanna do




On that happy note, we must conclude this edition of The Top 200 Movie Songs of the Rock Era*!.  After you sing, hum and think "Happy" for all your waking hours today, join us back tomorrow for Part Seventeen!