(Continued from Part One)
The Bee Gees began work on their sixth album, spending a week recording at Atlantic Studios in New York City. Robin missed the New York Sessions, but the rest of the group recorded instrumental tracks and demos.
By this time, the problems that every major group experiences began to surface, even though the primary figures in this case were brothers. Robin felt like Stigwood had been favoring Barry as the frontman of the group.
The trio's performances on Top of the Pops and The Tom Jones Show were one of the last live performances of the group with Robin for some time.
"Odessa", about a fictitious British ship called Veronica, floating on an iceberg in the Baltic Sea, is one of the group's most unique songs. The title song features a mix of Maurice playing flamenco guitar and Grammy-winning composer Paul Buckmaster, who later became Elton John's arranger, on cello.
Odessa landed at #3 in Germany and #4 in the U.K. "Marley Purt Drive" shows off the group's songwriting talent to be able to think outside the box, drawing comparisons to Bob Dylan, The Band, and Van Morrison. It was originally written as a Folk song which turned into more of a Country effort on the final recording. The group brought in Bill Keith to play banjo.
The song starts out as just a mundane Sunday routine, but we learn that the protagonist is dealing with a heavy burden of keeping his large family intact while also caring for orphans.
He takes a Sunday drive as an escape, a moment of solace, while at the same time knowing that he has to return to his responsibilities. As a result, the Bee Gees explore the common struggle of balancing personal desires with the demands of responsibility.
Odessa was released as a bright red flocked cover with gold lettering. "Seven Seas Symphony", featuring Maurice on keyboards and a wonderful string arrangement by Bill Shepherd, is a simple but beautiful and mystical instrumental. The sea could be seen as a symbol of the love of God, which is as deep, alive and life-giving as the ocean.
However, the next two singles failed as well and it seemed like the group was finished. For most acts in a similar situation, they would have been done. On December 1, 1969, Barry and Maurice decided to part ways professionally.
Maurice recorded his first solo album, The Loner, which was not released. He subsequently starred in the West End musical Sing a Rude Song. In February of 1970, Barry recorded a solo album which also did not get released. Robin enjoyed a #2 hit in the U.K. with "Saved By The Bell" from his album Robin's Reign.
Then, in mid-1970, Barry says "Robin rang me in Spain where I was on holiday [saying] 'let's do it again'". Robin and Maurice recorded a dozen songs in June before Barry joined and included two songs that made it on their reunion album. On August 21, the Bee Gees reunited. Barry and Robin published the book On the Other Hand together, which was a good sign of the relationship-mending they had done. The group also hired drummer Geoff Bridgford, who had played previously for the Groove and Tin Tin. Tin Tin, you might remember, had just enjoyed the hit "Toast and Marmalade for Tea".
"Alive" is one of the group's best ballads.
Bridgford left the group during recording of the album and the brothers decided not to hire a new member at the time.
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